For over 20 years, Marie-Victoire Poliakoff's Pixi gallery has been showcasing works that scarcely concern themselves with successive trends or the "expectations" of the art market. It favors "young" artists (but didn't Louis Carré say that one remains a young painter as long as one isn't too expensive?), regularly exhibiting their works both in collective exhibitions and in individual shows. They share a refusal of showiness, a taste for subtle discretion, and an expectation of the viewer: that they take their time to discover treasures that deserve and do not yield to a careless or too hasty eye.
The Pixi gallery can alternate between abstraction and figuration, whose supposed opposition loses its meaning when what matters is the motivation of the forms, the necessity of the materials, the density of the chromatic fields, the gradual deepening of approaches which, while allowing for variations, remain faithful to the initial choices of some perfectly productive principles.
One might say that one is entitled to expect these qualities from anyone who claims to be an artist: this would be naivety, which is confirmed as soon as one pays attention to what can spread under the pretext of artistic actuality. The exhibitions at the Pixi gallery then take on an exemplary appearance, reminding anyone who can still hear it that art is also a serious matter, not to mention a moral one.
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Two galleries in Paris
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